Plot
A recently discovered conversation between photographer Peter Hujar and his friend Linda Rosenkrantz in 1974 reveals a glimpse into New York City’s downtown art scene and the personal struggles and epiphanies that define an artist’s life.
Gallery
Reviews
I’ll come right to the point about this one: As it stands now, the latest work from writer-director Ira Sachs is a strong candidate for my worst film of 2025. This is likely to be an unpopular opinion, especially among arthouse aficionados, particularly in light of its (inexplicable) five Independent Spirit Award nominations. However, this easily has to be one of the most overrated releases of th…