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Stalker poster

Stalker

  • 8.0 /10

  • 2465

  • 100%

Plot

Near a gray and unnamed city is the Zone, a place guarded by barbed wire and soldiers, and where the normal laws of physics are victim to frequent anomalies. A stalker guides two men into the Zone, specifically to an area in which deep-seated desires are granted.

Cast

Alisa Freyndlikh as Stalker's Wife
Alisa Freyndlikh

as Stalker's Wife

Mykola Hrynko as Professor
Mykola Hrynko

as Professor

Natalya Abramova as Marta
Faime Jurno as Writer's Companion
Faime Jurno

as Writer's Companion

Evgeniy Kostin as Lyuger, Owner of Cafe
Evgeniy Kostin

as Lyuger, Owner of Cafe

Raimo Rendi as Police Patrol
Raimo Rendi

as Police Patrol

Vladimir Zamanskiy as Professor's Telephone Interlocutor (voice) (uncredited)
Vladimir Zamanskiy

as Professor's Telephone Interlocutor (voice) (uncredited)

Movie Facts

Rated

  • Not Rated

Status

  • Released

Release Date

  • May 25, 1979

Production Companies

  • Mosfilm

Production Countries

  • Soviet Union

Spoken Language

  • Pусский

Budget

  • $120,000.00

Revenue

  • -

Runtime

  • 2.70 hrs

Links

Gallery

Reviews

This movie is like an onion, has multiple layers. To understand it, you have to be very careful and pacient. You have to focus on movie and not doing anything else while you watch it, because if you don't, you won't understand it. http://cinematol.ro/pareri-filme-stalker-calauza-1979/

This really is the cinematic equivalent of "be careful for you wish for". Two characters - a teacher and a professor, seek out a "stalker" who can lead them through the maze of challenges that culminates in an heavily restricted area know as the zone. Why? Rumour has it, that when in that zone you may make wishes that will immediately come true. What is this place? Is it real, imaginary, alien, a…

**More style than content.** This was my first contact with the cinematographic work of Andrei Tarkovsky, a Soviet filmmaker who would end his career outside his native country when he fell into disgrace for allegedly spending too much money on films that were not worthy of the expense. A regrettable attitude, but typical of countries that prefer to spend money on missiles than on support for …